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190 projects on oyopo49 cities
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2 projects

Near Jaipur Airport

Jaipur · India

The Primus

The Primus is a nine-level office building in Jaipur, India, designed by Sanjay Puri Architects for Mahima Real Estate. Completed in May 2026, it replaces the familiar flat office facade with a layered arrangement of rounded, screened outdoor spaces. The photographs reveal a building with several different readings. From across the street, the brown exterior appears almost continuous: bands turn softly around the corners, and the slender fins merge into a textured surface. Move closer and the apparent solidity breaks apart. Openings between the modules expose darker recesses, planted pockets and the rooms behind the screen. The composition relies on this changing relationship between what is concealed and what is visible. That effect is especially clear in the oblique photographs. Each rounded end catches the light differently, while the closely spaced vertical elements produce a finer rhythm within the larger horizontal bands. The facade reads as a series of inhabited edges rather than a thin graphic layer. Its warm colour gives the building a strong visual identity without requiring every office to have a different outward expression. The project sits near Jaipur Airport, where a 30-metre height restriction shaped the brief. The press kit records offices of 60–125 m² and a structure that permits neighbouring units to be combined. Sliding glazing links the workspaces with planted terraces, while a roof garden adds outdoor space above the building. The documented built-up area is 9,475 m². Inside, the photographs change the emphasis from repetition to proximity. A meeting table faces the screened perimeter, bringing the exterior pattern into the background of an ordinary working setting. In the entrance lounge, broad glazing and sculpted ceiling forms create a different atmosphere from the tightly ribbed outside. The contrast makes the building more interesting than an exterior photograph alone suggests: the same project contains a measured, repetitive envelope and a much softer interior landscape. The planted passage offers another way to understand that envelope. Seen at walking height, the fins become a sequence of narrow views rather than a single opaque wall. Leaves, shadow and glimpses of the city occupy the same frame. This intermediate space is the most compelling architectural idea in the project: an office can be read through the depth of its perimeter, with a gradual transition between an enclosed room and the outside. The architects describe shading, planting and ventilation as part of the environmental strategy. Those intentions should be distinguished from verified operating results: the supplied material does not provide measured energy savings, acoustic test results or a whole-life carbon assessment. This profile documents the architecture and published project facts; it does not confirm current office availability or rents.

Client
Mahima Real Estate Pvt. Ltd.
Construction status
Completed
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Sheikh Zayed Road

Dubai · UAE

Wasl Tower

Wasl Tower gives Dubai’s skyline a different texture. Designed by UNS, formerly UNStudio, in collaboration with Werner Sobek, the 302-metre mixed-use tower stands beside Sheikh Zayed Road. Completed in 2025, it combines the Mandarin Oriental Downtown Dubai hotel with residences, offices and shared amenities. Its identity begins with a shift in posture. The tower does not read as a straight extrusion of one floor plate: its edges turn as they rise, bringing different faces into view. In the distant photographs, a narrow bright line runs along one side while a broader, darker surface recedes behind it. The resulting silhouette feels different from a uniformly glazed shaft. The apparent movement belongs to the whole building, rather than to a single gesture at its crown. Up close, the facade becomes a field of individual ceramic elements. The photographs show repeated fins with warm metallic surfaces, angled edges and deep shadows. At one scale they form a fine-grained pattern; at another they merge into the tower’s larger folds. This relationship between component and overall form is the strongest visual thread in the project. A detail that can be studied in isolation also helps explain the distant skyline image. UNS describes the ceramic fins as part of a shading system developed around solar orientation. The architectural interest is easy to see in the close views: the exterior has depth, with the glazing set behind an articulated outer layer. Bright highlights and dark recesses appear beside one another within the same elevation. The facade can therefore register a change in light without changing its material palette. Published environmental strategies describe design intentions; the photographs themselves cannot establish measured energy performance. The base introduces another reading of the building. In the podium views, the upright rhythm of the tower meets broad horizontal bands, glazed edges and an elevated connection. The composition moves between the scale of a high-rise and that of a person arriving at its entrance. Around the outdoor pool, planting, pale surfaces and curved seating soften the transition from the patterned exterior to places intended for a longer stay. Inside the hotel, the images show tall glazed lounges, suspended sculptural elements and reflective finishes. These scenes offer a useful counterpoint to the repeated ceramic units outside: instead of a dense surface seen from afar, the interior photographs foreground volume, furniture and the city beyond the windows. GA Design is credited with the hotel interiors. Wasl Tower is compelling because its most recognisable feature survives a change of scale. The turning silhouette catches attention on the skyline; the facade detail gives that first impression something to return to. Seen together, the wide views, close-ups and interior photographs tell a fuller story than a single iconic image.

Developer
Wasl Group
Construction status
Completed
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